Anaphora | the repetition of a certain word or phrase at the beginning of successive lines of writing or speech. |
Apostrophe | A writer or a speaker, using an apostrophe, detaches himself from the reality and addresses an imaginary character in his speech. |
Blank Verse | A literary device defined as un-rhyming verse written in iambic pentameter. |
Caesura | a rhythmical pause in a poetic line or a sentence. |
Catharsis | an emotional discharge through which one can achieve a state of moral or spiritual renewal or achieve a state of liberation from anxiety and stress. |
Elegy | a form of literature which can be defined as a poem or song in the form of elegiac couplets, written in honor of someone deceased. |
Enjambment | a thought or sense, phrase or clause in a line of poetry that does not come to an end at the line break but moves over to the next line. |
Epiphora | a word or a phrase is repeated at the end of successive clauses |
Euphemism | polite, indirect expressions which replace words and phrases considered harsh and impolite or which suggest something unpleasant. |
Equivocation | the use of ambiguous language to conceal the truth or to avoid committing oneself; prevarication |
Foot | A metrical unit composed of stressed and unstressed syllables. |
Heroic couplet | a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. |
Hubris | extreme pride and arrogance shown by a character that ultimately brings about his downfall. |
Iamb | a foot containing unaccented and short syllables followed by a long and accented syllable in a single line of a poem (unstressed/stressed syllables). |
Irony | words are used in such a way that their intended meaning is different from the actual meaning of the words. |
Leitmotif | a “short, constantly recurring musical phrase” associated with a particular person, place, or idea. |
Meter | a stressed and unstressed syllabic pattern in a verse or within the lines of a poem. |
Metonymy | a figure of speech that replaces the name of a thing with the name of something else with which it is closely associated. |
Motif | an object or idea that repeats itself throughout a literary work. |
Ode | a literary technique that is lyrical in nature, but not very lengthy. |
Parody | an imitation of a particular writer, artist or a genre, exaggerating it deliberately to produce a comic effect. |
Pastoral | poems are set in beautiful rural landscapes |
Pentameter | A line of verse consisting of five metrical feet |
Quatrain | A type of stanza, or a complete poem, consisting of four lines |
Scansion | The analysis of a poem’s meter. This is usually done by marking the stressed and unstressed syllables in each line and then based on the pattern of the stresses dividing the line into feet. |
Sestet | a 6 line stanza |
Slant rhyme | rhyme in which the vowel sounds are nearly, but not exactly the same (i.e. the words “stress” and “kiss”); sometimes called half-rhyme, near rhyme, or partial rhyme |
Spondee | a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables, as determined by stress in modern meters |
Synecdoche | a figure of speech in which a part is made to represent the whole or vice versa |
Synesthesia | the representation of ideas, characters or places in such a manner that they appeal to more than one senses like hearing, seeing, smell etc. at a given time. |
Troche | a metrical foot consisting of a stressed syllable followed by an unstressed one |
Chiasmus | a rhetorical device in which two or more clauses are balanced against each other by the reversal of their structures in order to produce an artistic effect |
Antithesis | a literary device to put two contrasting ideas together |
Parallelism | use of components in a sentence that are grammatically the same; or similar in their construction, sound, meaning or meter. |
Macbeth Literary devices
September 4, 2019