Horatio presented as logical | “the sensible and true avouch of mine own eyes” |
Unsteady rhythm created with half-lines to create sense of uncertainty and unease | “Long live the king!/ Barnardo? /He.” |
Shakespeare makes use of the superstitions of his audience to foreshadow conflict | “the very armour he had on when he th’ambitious Norway combated” |
A piece of pastoral imagery that might also contribute to a feminist reading? | “the morn in russet mantle clad” |
pathetic fallacy employed to give a sense of discord | “tis bitter cold” |
motif of sickness contributes to an idea of a corrupt Denmark | “I am sick at heart” |
Play opens with a sense of uncertainty | “Who’s there?” |
quote that represents need for renaissance thinkers to handle ephemeral questions | “thou art a scholar” |
violence and mortal action shown to be useless in the face of supernatural beings (or questions) | “we do it wrong, being so majestical, to offer it show of violence” |
introduces theme of uncertainty and sets Horatio apart from the other men | “In what particular thought to work I know not” |
quote to confirm superstitious interpretation of the ghost | “this bodes some strange eruption in our state” |
Horatio draws attention to the foreshadowing that the spirit represents | “If thou art privy to thy country’s fate” |
quote that ties together aggression and virtue | “fair and warlike form” |
two examples of military language | “let us once again assail your ears that are so fortified”, “usurp’st this time of night” |
Hamlet contrasts with Medieval men | “for food and diet to some enterprise that hath a stomach in’t” |
Fortinbras as a foil to Hamlet | “to recover of us, by strong hand and terms compulsative, those foresaid lands by his father lost” |
Hamlet 1.1
September 4, 2019